Jean-Jacques Sempé

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Premier Opéra écologique, 1978

Pen and watercolor
70 cm x 53 cm
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Statues et oiseaux dans le parc, 2002

Indian ink and watercolor
45 cm x 35 cm
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D’après Nature, 2003

Ink and watercolor
60 cm x 50 cm
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Fernand Biron, 2010

Pen, ink and watercolour
32 cm x 25 cm
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La panne de vélo, 2008

Pen and indian ink
32 cm x 25 cm
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Deux sur une bicyclette, 2011

Pen, ink and watercolor
44 cm x 34 cm
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Hector Duprez, Violiniste, 2010

Pen, ink and watercolour
31 cm x 24 cm
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Sur le quai, 2011

Pen, ink and watercolor
35 cm x 27 cm
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Un gros effort de concentration, 2010

Ink and watercolour
32 cm x 23 cm
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Sur le chemin de l’ecole II, 2011

Pen, ink and watercolor
33 cm x 24 cm
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Jean Bablon, 2009

Pen, ink and watercolor
40 cm x 30cm
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Marie-Sybille Berthon, 2011

Pen with ink
28 cm x 23 cm
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De bonne humeur, 2011

Pen, ink and watercolor
36 cm x 24 cm
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Analysons la situation, 2010

Pen, ink and watercolour
34 cm x 28 cm
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Anna Karina Dumas, 2011

Pen, ink and watercolor
34 cm x 26 cm

Born in 1932

Jean-Jacques Sempé was born in Bordeaux in 1932. Having been expelled from college, he failed to pass entrance examinations for the Post Office, a bank and the French Railways.

Became an Artist
in Paris

Determined to be an artist in Paris, Sempé was elected to do his national service there. In 1952 he received an award to encourage young artists to turn professional. Thus began a career spanning so far more than half a century.

“Famous in the English-speaking world for his instantly recognisable New Yorker covers, Sempé is known and loved worldwide, with more than 30 collections of drawings published in 30 countries. His inimitable style and flair for satire and tragic-comic vision place him on a par with the American cartoonist James Thurber. Like every great artist, Sempé has created a world above and beyond specific cultural and political realities, a world populated by psychoanalysts, housewives, concert pianists, baffled lovers, dreamy married couples, long-faced, aquiline-nosed depressives who yearn to meet their maker in an unyielding, disinterested universe.” Miles Kington